Wednesday, October 28, 2020

ONCE REMOVED by Andrew Unger reviewed by Elma (Martens) Schemenauer

I like the title of this novel. ONCE REMOVED is a gentle jab at Mennonites' interest in who's related to whom, and how closely or distantly. The title may also refer to the painted canvas floor coverings done by Mennonites of the past. The book cover features what looks like a fragment of a floor covering that has been removed from its original location and unfortunately torn in the process.

 

The title ONCE REMOVED could also relate to the book's central conflict. BLT Wiens, mayor of Edenfeld, wants all traces of the town's past to be removed. His vision for the future doesn't include Mennonite street names like Klippenstein Drive, West Schroeder Road, and Heppner Strasse. He changes them to California names like Sunset Boulevard and Rodeo Drive.

 

BLT's vision doesn't include heritage buildings like housebarns. He plans to bulldoze them to make way for a mega-mart and giant parking lot.

 

Butting up against BLT is Timothy Heppner, a mild-mannered ghostwriter and parks and recreation employee. He and his wife, Katie, are the youngest members of the town's Preservation Society. Their attempts to stop the brutal onslaught of progress constitutes the driving force of this story.

 

The author writes in an easy, approachable style, almost always with tongue in cheek. The book is full of references to Mennonite history, beliefs, culture, folkways, foods, and foibles—many of them over-simplified or exaggerated for effect. Unger can say a lot in a few words. Examples:

 

On Russian Mennonite immigration to North America: "Some came in the 1870s fleeing the tsar and some came in the 1920s fleeing the people who replaced the tsar." (page 16)

 

Mrs. Ens muttered that she'd never really liked that song because it sounded a bit "socialist" to her and she thought we had left all that garbage behind in the Soviet Union. (page 149)

 

On baptism: "It's not that I didn't believe or didn't want to get baptized as a teenager, but in those days I hadn't yet found someone I wanted to marry and I knew that as soon as I was baptized the pressure would be on to get hitched." (page 37)

 

On Mennonite foods: "Large quantities of sausage." (page 88) "A well-worn cookbook called 1001 Ammonia Recipes." (page 108)

 

The author of ONCE REMOVED doesn't keep me in suspense, wondering what will happen next. He doesn't present me with mind-expanding insights. Thankfully he also doesn't exhibit the bitter, blaming, faith-denying attitude evident in some novels by Mennonites. His book is a clever, affectionate, respectful satire on his (and my) people. It amuses me and warms my heart.

 

 

 

 

Sunday, October 11, 2020

writerly news for Oct 12, 2020

Happy Thanksgiving. We do have a lot to be thankful for, including the writerly advice, information, and encouragement found in the following articles.


How to shorten a piece of writing without spoiling it. https://tinyurl.com/y2kv6fbj


Author Jane Littell writing in 1940 about writers "running dry," i.e., running out of ideas and inspiration. Excellent advice here: https://tinyurl.com/yy63y5rt


Timeworn is a magazine publishing stories "at the intersection of history and fantasy." They're open to submissions of unpublished stories 2000-5000 words long, set before 1996. Learn more by searching on the words TIMEWORN SUBMISSIONS. You can read Issue 3 free at the following website--or you can buy it. https://tinyurl.com/y4b2wpjb


What's a writer's "voice?" Why is it important? Article here: https://tinyurl.com/yyg3dpth


Are you self-publishing a book? Here's an article on sabotaging it [which you of course don't want to do]: https://tinyurl.com/y66xj4s9


Encouraging & enlightening words for writers from J.R.R. Tolkein: https://tinyurl.com/yyqz5gpd




YOU ARE NOT WHAT WE EXPECTED reviewed by Elma (Martens) Schemenauer

I bought this book because I lived for many years in Toronto's Bathurst and Steeles area--near Thornhill, where Sidura Ludwig's stories take place. During those years, I became very familiar with the ever-changing suburban community of Thornhill and the wide variety of people who live there. I feel a special empathy with Thornhill's Jewish community. The author brings it to life in a thoughtful, sympathetic, and sometimes amusing way. There are lots of tensions here, for example, between beliefs and practices, between secular Jews and religious Jews ("frummies"), and between old and new ways. I have a Mennonite background, and detect similar tensions within Mennonite communities. I explore some of them in my 1940s-era novel CONSIDER THE SUNFLOWERS, which is set in Vancouver and rural Saskatchewan. I'm grateful to Ludwig for writing YOU ARE NOT WHAT WE EXPECTED. It sheds light not only on her own community, but on others facing similar experiences and challenges.