Monday, December 21, 2015

rejection dejection

 

 

Discouraged about publishers &/or literary agents rejecting your writing? Publishing guru Molli Nickell recently, generously shared her insights online. You can read them at:

http://media2.fwpublications.com/WDG/Z6915_WhyAmIGettingRejected.pdf

 

Elma Schemenauer CONSIDER THE SUNFLOWERS: 1940s-era novel about love, Mennonites, faith, & family. Set in Vancouver & rural Saskatchewan. Order from Chapters online http://tinyurl.com/ny8smwk or Borealis Press http://tinyurl.com/lfdo9pf  . More info at http://elmams.wix.com/sflwrs  . Book trailer at https://youtu.be/sBRuhh1xX7Y .

 

opportunities in journals

Opportunities for writers in new journals: http://www.authorspublish.com/10-new-and-exciting-journals/

 

Elma Schemenauer CONSIDER THE SUNFLOWERS: 1940s-era novel about love, Mennonites, faith, & family. Set in Vancouver & rural Saskatchewan. Order from Chapters online http://tinyurl.com/ny8smwk or Borealis Press http://tinyurl.com/lfdo9pf  . More info at http://elmams.wix.com/sflwrs  . Book trailer at https://youtu.be/sBRuhh1xX7Y .

 

Tuesday, December 15, 2015

THE PERFECT WRITE & sunflowers

Editor & writing guru Robert L. Bacon kindly said the following in the latest issue of his newsletter THE PERFECT WRITE, which I recommend to anyone interested in writing & publishing. You can sign up for it at the bottom of this page: http://www.theperfectwrite.com/about-us/ . Here's Robert:

 

I discussed longtime Newsletter subscriber Elma Schemenauer's mastery of writing exposition within dialogue--and notice I'm no longer lumping everything together as "interior monologue," ha ha--and I've posted her opening to CONSIDER THE SUNFLOWERS on my Critique Blog, and in January or February I'll repost this material on my personal blog.  I ask subscribers to my wild ravings to please take a moment to read Ms. Schemenauer's opening.  It's brief but in my opinion offers a wealth of knowledge, as she effortlessly takes the reader through a scene with both clarity and purpose.  When most of us start out writing seriously, we break our runs with trites such as "he looked," or "he scratched his chin," or "she moved around in her chair," or "she tossed her head," and the world-renowned "he/she turned."

 

Certainly there are times when characters perform mundane actions that add to the fabric of a vignette.  But these trites tend to become overworked and morph into tics in a hurry.  Developing a proficiency at writing exposition integrated into dialogue, which advances the characterization, in large measure separates text that might be considered amateurish from that which is deemed professionally designed.  Again, please read Elma's brief opening--it's that good as it relates to what I'm discussing.  In a separate note to me while we were discussing another matter, Elma mentioned what I'll refer to as a "trick of the trade" that I want to pass along.  She said she inserts the exposition after she writes her dialogue. I find this works best for me as well, and for any subscriber who is considering the best places to use exposition either for necessary pauses or to impart information to advance a scene, I fully support this approach.  And if you should like to read more of CONSIDER THE SUNFLOWERS, you may do so via Chapters Indigo online http://tinyurl.com/nb2jtu7 or Borealis Press http://tinyurl.com/lfdo9pf.  More information is also available at http://elmams.wix.com/sflwrs .

 

Elma Schemenauer CONSIDER THE SUNFLOWERS: 1940s-era novel about love, Mennonites, faith, & family. Set in Vancouver & rural Saskatchewan. Order from Chapters online http://tinyurl.com/ny8smwk or Borealis Press http://tinyurl.com/lfdo9pf  . More info at http://elmams.wix.com/sflwrs  . Book trailer at https://youtu.be/sBRuhh1xX7Y .

 

Monday, December 14, 2015

appealing to a publisher's or agent's emotions

“People want to FEEL something.” The well known literary agent Chip MacGregor once said that to me and I’m sure it’s true. Here’s an article about appealing to a prospective agent or publisher’s emotions. [Actually I’m not crazy about the example given in the article. Maybe you can write a better one.]

http://writersrelief.com/blog/2013/12/query-letter-must-do-to-get-literary-agent/

 

 

Elma Schemenauer CONSIDER THE SUNFLOWERS: 1940s-era novel about love, Mennonites, faith, & family. Set in Vancouver & rural Saskatchewan. Order from Chapters online http://tinyurl.com/ny8smwk or Borealis Press http://tinyurl.com/lfdo9pf  . More info at http://elmams.wix.com/sflwrs  . Book trailer at https://youtu.be/sBRuhh1xX7Y .

 

Thursday, December 10, 2015

Justin Martyr, Deb Elkink, & The Third Grace

The following words remind me of @Deb Elkink's inspiring Mennonite novel The Third Grace: http://greenbrierbooks.com/greenbrier-fiction/contemporary-fiction/the-third-grace-by-deb-elkink .

"We do indeed proclaim ourselves atheists in respect to those whom you call gods, but not in regard to the Most True God, the Father of righteousness and temperance and the other virtues, who is without admixture of evil." St. Justin Martyr, writing about 150 AD, quoted in The Faith of the Early Fathers selected by William A. Jurgens.

 

 

Elma Schemenauer CONSIDER THE SUNFLOWERS: 1940s-era novel about love, Mennonites, faith, & family. Set in Vancouver & rural Saskatchewan. Order from Chapters online http://tinyurl.com/ny8smwk or Borealis Press http://tinyurl.com/lfdo9pf  . More info at http://elmams.wix.com/sflwrs  . Book trailer at https://youtu.be/sBRuhh1xX7Y .

 

Monday, December 7, 2015

book trailer Consider the Sunflowers

When Consider the Sunflowers, my 1940s-era Saskatchewan Mennonite novel, was published in October 2014, I didn’t know what a book trailer was. I heard about them & worried about not having one, but had very little idea how such things are created. A few months ago my publisher, Borealis Press of Ottawa, suggested I have one made. I asked a kind Kamloops friend to do it. Here, thanks to his hard work, is the result: https://youtu.be/sBRuhh1xX7Y . If you feel like it, leave a comment or let me know personally what you think. Thanks a lot.

 

 

Elma Schemenauer CONSIDER THE SUNFLOWERS: 1940s-era novel about love, Mennonites, faith, & family. Set in Vancouver & rural Saskatchewan. Order from Chapters online http://tinyurl.com/ny8smwk or Borealis Press http://tinyurl.com/lfdo9pf  . More info at http://elmams.wix.com/sflwrs  .

 

Friday, December 4, 2015

flourless poppy-seed cake

Here’s an interesting recipe for poppy-seed cake. It’s especially suitable for people who avoid flour. It can also be dairy-free if one uses almond milk. Rice milk would probably be OK too.

 

FLOURLESS POPPY-SEED CAKE

 

10 tbsp (5 oz) butter or margarine, room temperature

5 egg yolks

½ cup cream, milk, or almond milk

2 tsp vanilla

2 cups poppy seed

¾ cup sugar, brown or white

pinch of salt

5 egg whites

 

Heat oven to 350 F. Prepare a 9 inch round pan by greasing lightly. A spring-form pan is best but a regular cake pan would work as well.

 

Put the first 4 ingredients in a blender. Blend well. Add the poppy seed about ¼ cup at a time, blending well after each addition. The idea is to get the poppy-seed somewhat ground up. They don't need to be completely ground.

 

Put the contents of the blender into a bowl, add the sugar, and mix well.

 

In a different bowl, beat the egg whites with pinch of salt until moderately stiff. (Make sure your beater is absolutely clean. Otherwise the egg whites won't beat.)

 

About ½ cup at a time, fold the egg whites into the contents of the first bowl. Fold just enough to get the egg whites evenly mixed in. Don't beat the batter.

 

Spread the batter evenly in the pan and bake until the cake is puffed and golden brown, 30 to 40 mins. Makes about 12 servings.

 

 

Elma Schemenauer CONSIDER THE SUNFLOWERS: 1940s-era novel about love, Mennonites, faith, & family. Set in Vancouver & rural Saskatchewan. Order from Chapters online http://tinyurl.com/ny8smwk or Borealis Press http://tinyurl.com/lfdo9pf  . More info at http://elmams.wix.com/sflwrs  .

 

Tuesday, December 1, 2015

tips on selling a self-published book--or any book

http://selfpublishingrelief.com/self-published-book-isnt-selling/

 

 

Elma Schemenauer CONSIDER THE SUNFLOWERS: 1940s-era novel about love, Mennonites, faith, & family. Set in Vancouver & rural Saskatchewan. Order from Chapters online http://tinyurl.com/ny8smwk or Borealis Press http://tinyurl.com/lfdo9pf  . More info at http://elmams.wix.com/sflwrs  .

 

EXCITING NEWS from Janet Matthews: New CS Title: Stories Needed!

From: Janet Matthews [mailto:janet@janetmatthews.ca]
Sent: December-01-15 4:19 AM
To: elmams@shaw.ca
Subject: EXCITING NEWS from Janet Matthews: New CS Title: Stories Needed!

 

You may have a great story - and get published!

 

 

 

 

 

 

  

EXCITING NEWS FOR
WRITERS!
From Janet Matthews

Canadian Co-author of

 Chicken Soup for the Canadian Soul



We need your stories for a

brand new Canadian title...

 

Announcing:

Chicken Soup for the Soul

The Spirit of Canada!!

 

I'm excited to let you, as writers, know about this great opportunity to get published. It would be so great if you would forward this to your members, include it in your newsletter or blog, and/or post it on your website. Here's why:

The folks at Chicken Soup for the Soul Publishing LOVE our Canadian stories, so Chicken Soup for the Soul, The Spirit of Canada is being compiled to help celebrate

the 150th anniversary of Confederation, which is Canada Day 2017. For both our most recent titles - Chicken Soup for the Soul, The Wonders of Winter, and Christmas in Canada we received submissions from writers across Canada that belong to groups like yours, and many of them were published!

Do you have a great story?
If so, it could get published, and yes, you would get paid.
 

 

We`re looking for true, personal, dramatic, heartwarming or inspirational stories that celebrate our unique  Canadian Spirit.

As always, we`re seeking stories that inspire and open the hearts of our readers; that make them laugh or cry, give them goose bumps, or cause them to gasp and say,  "I`m so glad I read that story!"   

 
The best stories are written in the first person, and might be founded on traditional Chicken Soup themes of:   

  • Overcoming Obstacles 
  • Living Your Dreams 
  • Triumphing in the face of adversity 
  • Love and Sacrifice 
  • Kindness, family, community 
  • ...and making a difference

  Here are a few suggestions to get you thinking:

  • Tell a story about a local hero that inspired you, or one of our greatest Canadian heroes that impacted your life.
  • Do you live in a community that has suffered a challenge - and experienced the kindness of neighbours or first responders who showed up to make a difference?
  • Are you, or is one of your family members in the Canadian Military? Do you have a story you can share?
  • Are you an immigrant, or the child of immigrants, who came to Canada for a better life? Is there a moving story that might involve courage or sacrifice?
  • Share your favourite holiday stories from our precious summer long weekends, including Victoria Day and Canada Day, the Civic Holiday and Labour Day.
  • Share your story about Thanksgiving and other holidays, and how we do them in Canada.
  • Tell a great story that happened at the cottage - any time of the year!
  • Do you have a great story about camping or canoe tripping, or hiking in the Rockies, water skiing of snow skiing or skating? And we LOVE hockey stories!
  • Tell a story that comes to life in the region you live - from the west coast to the Maritimes, the prairies, the Rockies, our hundreds of lakes and rivers, the far north, and everything in between.
  • Did you travel the world with a Canadian Flag on your back pack?
  • Feel free to include our unique Canadian expressions eh, (use our unique Canadian spellings,) and don't forget how we obsess over the weather!

This book is scheduled for publication in May of 2017, right before Canada Day, but we need a steady flow of stories to create and edit the book, so the first deadline is March 31st 2016.   

 

**Please keep in mind - a heartfelt nostalgic remembering of your childhood summers at the cottage is not a Chicken Soup story, no matter how well written. We need a single dramatic story - told in the 1st person, that unfolds like a movie - to engage and inspire our readers. Try and keep it to 1200 words or less.  

 

For full writers guidelines, sample stories and how to submit your story, visit

FYI - If you have a great story, but are not sure of your writing - I can always help out. 
I wish you great success, and I look forward to seeing your stories! 

 

Love to you,

Janet Matthews

Co-author of

Chicken Soup for the Canadian Soul &

Chicken Soup for the Soul O Canada

The Wonders of Winter &
Chicken Soup for the Soul,
Christmas in Canada 

janet@janetmatthews.ca

PS: One more thing. Could you please pass this message along to your to your friends and family  and other writers  who may have a story? EVERY bit of help is really appreciated!        

 

 

 

Stay Connected

  

   

 

 

Janet Matthews | | janet@janetmatthews.ca |

 

 


Text | Link

 


Copyright © 20XX. All Rights Reserved.

 

Forward this email


This email was sent to elmams@shaw.ca by janet@janetmatthews.ca |  


Janet Matthews
| 35 Richardson Drive | Aurora | Ontario | L4G1Z2 | Canada

 

Friday, November 20, 2015

publicize religion books coming out Feb 1-July 31, 2016

Publishers Weekly invites publishers of religious books coming out Feb 1-July 31, 2016 to inform them so they can include these books in a free listing sent to potential purchasers. More info here: http://tinyurl.com/oe8ycak .

 

 

Elma Schemenauer CONSIDER THE SUNFLOWERS: 1940s-era novel about love, Mennonites, faith, & family. Set in Vancouver & rural Saskatchewan. Order from Chapters online http://tinyurl.com/ny8smwk or Borealis Press http://tinyurl.com/lfdo9pf  . More info at http://elmams.wix.com/sflwrs  .

 

Thursday, November 19, 2015

Guess who has his first children’s book coming out soon. Here’s the story: http://tinyurl.com/pj4o4lo

 

 

Elma Schemenauer CONSIDER THE SUNFLOWERS: 1940s-era novel about love, Mennonites, faith, & family. Set in Vancouver & rural Saskatchewan. Order from Chapters online http://tinyurl.com/ny8smwk or Borealis Press http://tinyurl.com/lfdo9pf  . More info at http://elmams.wix.com/sflwrs  .

 

Wednesday, November 18, 2015

picture book: illustrate before submitting or not?

Suppose you’ve written a children’s picture book. Should you have it illustrated before you submit it to publishers & agents for consideration? Editor/author Robert Bacon of The Perfect Write discusses this question in his latest newsletter:

 

“There are two schools of thought for Picture Book material, and one is that the author should also be the illustrator, or have one on his or her hip, or that the publisher--if the story is strong enough--will provide an illustrator after the book is signed.  My personal experience with the Picture Book market is limited, but I tried very hard to find an illustrator a couple of years ago for a client who, in my opinion, possesses a terrific premise.  My search ranged from free-lancers to a well-known newspaper cartoonist.  Alas, no one could meet the demands of my client, who eventually settled on a famous European illustrator.  Yes, it requires substantial wherewithal to do this, so a search of this magnitude is certainly not for everyone, but what I learned above all else is that matching up an illustrator is just as complex as finding the right editor; meaning, it's also a horses for courses environment.  I had to charge a straight hourly rate for my time, as there's no other way to do this sort of work, but I found it impossible to land a publisher for my client if the material wasn't already illustrated, which is the point of this entire section.  Hence, any subscriber reading my comments on whether or not I feel that a Picture Book should be illustrated prior to submission now knows my sentiments.

 

However, ignoring the challenges presented by the Picture Book subgenre, YA, and Children's material in particular, seems to be rolling along stronger than ever.  I wrote some years back that I believed that it would be difficult for the digital medium to take print books out of little kid's hands, as the feely-touchy part is impossible to replicate in a virtual setting.  This might change over time, or it could become less an issue as even the littlest children become tech oriented, but until a fold-out or a bas-relief picture can be simulated and "touched," I'm holding to my opinion that the printed book, especially in softcover, will continue to resonate with children.”

 

Elma Schemenauer CONSIDER THE SUNFLOWERS: 1940s-era novel about love, Mennonites, faith, & family. Set in Vancouver & rural Saskatchewan. Order from Chapters online http://tinyurl.com/ny8smwk or Borealis Press http://tinyurl.com/lfdo9pf  . More info at http://elmams.wix.com/sflwrs  .

 

Friday, November 6, 2015

writing opportunity: ONE THRONE magazine

ONE THRONE magazine is published in the Yukon City of Dawson by former Toronto lawyer George Filipovic. It’s open to submissions of stories, etc. Here’s the link:  http://www.onethrone.com/#!submit/c2q4 .

 

Elma Schemenauer CONSIDER THE SUNFLOWERS: 1940s-era novel about love, Mennonites, faith, & family. Set in Vancouver & rural Saskatchewan. Order from Chapters online http://tinyurl.com/ny8smwk or Borealis Press http://tinyurl.com/lfdo9pf  . More info at http://elmams.wix.com/sflwrs  .

 

Thursday, November 5, 2015

Canadian democracy & the media

The Dalton Camp Award is for essay exploring Canadian democracy & the media: http://www.friends.ca/DCA/ .

 

Elma Schemenauer CONSIDER THE SUNFLOWERS: 1940s-era novel about love, Mennonites, faith, & family. Set in Vancouver & rural Saskatchewan. Order from Chapters online http://tinyurl.com/ny8smwk or Borealis Press http://tinyurl.com/lfdo9pf  . More info at http://elmams.wix.com/sflwrs  .

 

writers retreat in Iceland

Interested in a spring 2016 writing retreat and tours in Iceland? Learn more by plugging the words Iceland Writers Retreat into your browser. There’s also a contest whose winner will get a free trip to this retreat. Details are here: http://icelandwritersretreat.tumblr.com/post/128183802454/win-a-free-writers-retreat-in-iceland

 

 

Elma Schemenauer CONSIDER THE SUNFLOWERS: 1940s-era novel about love, Mennonites, faith, & family. Set in Vancouver & rural Saskatchewan. Order from Chapters online http://tinyurl.com/ny8smwk or Borealis Press http://tinyurl.com/lfdo9pf  . More info at http://elmams.wix.com/sflwrs  .

 

Sunday, November 1, 2015

writing opportunities: Elite Critiques

The newish periodical Elite Critiques is open to submissions of stories, articles, art, poems, and interviews. See their guidelines for the December and January issues below.

http://elitecritiques.com/submissions/december-guidelines/

http://elitecritiques.com/submissions/january-guidelines/

 

 

 

Elma Schemenauer CONSIDER THE SUNFLOWERS: 1940s-era novel about love, Mennonites, faith, & family. Set in Vancouver & rural Saskatchewan. Order from Chapters online http://tinyurl.com/ny8smwk or Borealis Press http://tinyurl.com/lfdo9pf  . More info at http://elmams.wix.com/sflwrs  .

 

Tuesday, October 20, 2015

the art of letter-writing: Andrew Luba

When did you last receive a personal letter in the mail? Here’s what Andrew Luba says about letters and how they connect people.

 

The digital age has connected people in a lot of ways, but it has also left a lot of people feeling isolated.  Some people work at their computer all day, only going home in the evening to eat and sleep before dragging themselves to work the next morning.  When you only interact with your computer, life can feel lonely and disconnected.  How can we reconnect people?

 

Andrew Luba wants to empower people to feel through his Kickstarter campaign, "Solipsism”.  He’s writing letters to you, your friends, and strangers around the world.  He’s using creative writing to bring everyone together to celebrate what makes us human: emotion.  

The money he raises (only $2 Canadian/letter) goes to buying paper and ink, paying postage, and eating food while he writes.  He will send out his laters in November and December.

When’s the last time someone wrote you a letter?

You can order one here by backing his campaign:

https://www.kickstarter.com/projects/andrewluba/solipsism-whens-the-last-time-someone-wrote-you-a

 

Elma Schemenauer CONSIDER THE SUNFLOWERS: 1940s-era novel about love, Mennonites, faith, & family. Set in Vancouver & rural Saskatchewan. Order from Chapters online http://tinyurl.com/ny8smwk or Borealis Press http://tinyurl.com/lfdo9pf  . More info at http://elmams.wix.com/sflwrs  .

 

Monday, October 19, 2015

website issues

34 issues that may scare readers away from your website:

http://www.webdesignrelief.com/issues-that-scare-readers-away-from-author-website/

 

Elma Schemenauer CONSIDER THE SUNFLOWERS: 1940s-era novel about love, Mennonites, faith, & family. Set in Vancouver & rural Saskatchewan. Order from Chapters online http://tinyurl.com/ny8smwk or Borealis Press http://tinyurl.com/lfdo9pf  . More info at http://elmams.wix.com/sflwrs  .

 

getting books into global markets

Interesting article by Jen Minkman, who writes in English & Dutch: http://tinyurl.com/plqyr9s .

 

Elma Schemenauer CONSIDER THE SUNFLOWERS: 1940s-era novel about love, Mennonites, faith, & family. Set in Vancouver & rural Saskatchewan. Order from Chapters online http://tinyurl.com/ny8smwk or Borealis Press http://tinyurl.com/lfdo9pf  . More info at http://elmams.wix.com/sflwrs  .

 

Saturday, October 17, 2015

story Tree of Knowledge in Folklore Magazine

The following story appeared in the Summer 2015 issue of Folklore Magazine published by the Saskatchewan History and Folklore Society.
Tree of Knowledge
By Elma (Martens) Schemenauer
It was a warm afternoon, and Mother was cross with my little brother Wally and me. She was ironing that afternoon. She had made a fire in the kitchen stove to heat the tugboat-shaped irons. She would use one iron till it cooled, set it back on the stove, and pick up another with the clip-on handle.
I guess Wally and I had been naughty, or perhaps simply whiny. Probably contributing to Mother's bad temper were the unwelcome but necessary heat of the stove, the pile of ironing that needed doing, and the wind moaning around our tall farmhouse. Like many houses on the Saskatchewan prairie in the 1940s, it was unsheltered by trees.
"It's not fun here," I said to Wally. "Come on. Let's go for a walk."
My brother's face brightened. He hitched the straps of his overall shorts higher on his shoulders, and we trundled out through the screen door, Mother calling after us, "Don't go past The Tree."
The Tree was a caragana that struggled for survival about a quarter mile west along the road toward Elbow, our nearest village. Wally and I, like six- and four-year-old Vikings, had undertaken many journeys to visit this scraggly landmark.
The Tree fascinated me. It seemed to exist beyond the bounds of time and space, springing alone out of the dry ground, its origin obscure. I half expected to see Adam and Eve in the weedy ditch beside The Tree. Perhaps Adam would throw a stick for a young wolf, which would yelp with glee and snatch the stick in its slobbering jaws.
Wally and I had learned about Adam and Eve from children's stories told in our country Mennonite church. Apparently our first parents had lived in perfect harmony with wild animals in the Garden of Eden before Sin entered the world.
This information was borne out by brightly coloured, flannel-backed pictures on a flannel-board. These pictures showed the happy pair with their arms around wolves, bears, and lions. Adam and Eve's hair was wonderful in the pictures, long and brown and bouncy, conspiring with shrubs to cover the private parts of their naked bodies.
I sometimes wondered if, in the cool of the day, the Lord God Himself walked along the fence near The Tree, just as He had walked in the Garden of Eden long ago.
A more mundane attraction of The Tree was the possibility of making caragana whistles. Our cousin Eldon Janzen had showed Wally and me how to pick a ripe pod off a caragana tree, strip out the seeds, and slit it to make a whistle. Wally and I loved the sounds these whistles made. They were like squeaky wheels turning or demented roosters crowing.
We didn't yet have the trick of making caragana whistles, but we were working on it. When we reached The Tree, we began plucking off pods one after another, blowing till our cheeks hurt, throwing pods away, picking more, blowing till spots floated in front of our eyes. Occasionally a faint squawk rewarded us, but it was nothing compared to what Eldon could produce.
"Let's go and see him," I said to Wally. Eldon's parents had a whole hedge of caraganas on their farm. My brother and I had never visited the Janzens on foot, but I was pretty sure I knew the way. Just pass The Tree and turn at the next road. Then keep going till you see the Janzens' yellow house and red barn.
Wally's cheerful personality had earned him the nickname Sonny. However, uncertainty now clouded his blue eyes.
"Come on." I grabbed his solid little hand. "Let's go."
"We're not 'sposed to." Wally twisted his hand out of mine. At age four he was a head shorter than I but strong. He was an idealistic child, setting a lot of store by keeping the rules.
I was more of a rationalizer. "Mother's mad at us," I reminded him. "She probably won't even care if we go to Eldon's."
"I don't want to go." Wally dug his heels into the earth.
"What a baby!" I exploded. "OK, if you're not coming, I'm leaving you here alone." I gave him a casual wave and strolled past The Tree, half expecting a restraining order from Heaven or at least a roll of thunder.
All I heard was the wind.
"I'm going to tell on you," Wally called.
"I don't care, Baby. Go ahead and tell."
He gazed along the road ahead of us, his lower lip trembling. Then he turned back toward our house.
"Bye, bye," I called. "Have a nice walk. Don't let the coyotes get you."
My brother gave a little whimper. He glanced over his shoulder at me once, twice. Then he hitched his overall straps higher on his shoulders and proceeded past The Tree, picking up his feet and setting them down as if walking a gangplank.
What a sense of adventure I felt as he and I trudged into the unknown. Walking this road alone was far more exciting than travelling by car, as we had often done with our parents.
A crow landed on a nearby fencepost, croaked, and took off again, flapping away in the direction of our house. Wally stopped in his tracks and watched the bird till it disappeared from sight. "I'm not going to Eldon's," he announced. "It's too far."
"No, it's not," I said. "We'll just turn at the next road. Soon we'll see his house."
My reluctant brother accompanied me to the next road. There we turned the corner and passed a slough with ducks swimming on its navy-blue water. We plodded up a rise in the road and down the other side. However, we still didn't see the Janzens' yellow house.    
"Let's go back," Wally said. "It's too far." Though idealistic, he was also practical and may have been a better judge of distance than I.
I laid a big-sisterly hand on his shoulder. "Maybe Eldon's mother will give us cookies. Maybe she'll have puffed wheat cake."
"But I'm afraid," Wally whimpered. He pulled away from me and plopped himself down on the weedy shoulder of the road, choosing a spot well out of the way of any traffic, just as Mother had taught us.
My brother hung his head, clutched his hands around his knees, and began to wail. Tears dribbled down the front of his carefully ironed shirt and overall shorts.
I shuffled my feet, beginning to regret what I had done. I knew deep down that disobeying Mother was wrong, no matter how cross she was. Even worse, I had led my brother to betray his tender conscience.
So should we go back? It was a long way. Maybe we were now closer to Eldon's house than our own.
As I stood wondering what to do, I saw a cloud of dust approaching along the road ahead. Moments later a blue ton truck roared up beside us.
I recognized a man and woman from church. They may have been Pete and Anne Dahl or some others of the Dahl family.
The woman leaned out the window. "What are you children doing so far from home?" she shouted over the rumble of the engine.
I said nothing, feeling guilty. Wally scrambled to his feet, wiping his eyes on his shirtsleeve.
"We're looking for our bull," the man hollered. "He broke out of the pasture."
The woman opened the door. "Get in. We'll take you home. You shouldn't be walking on the road with a bull loose."
On our way home, we passed The Tree. Nobody else seemed to pay any attention to it. But the sight made me sad. I craned my neck to stare at it, watching till it disappeared in a haze of dust.
Years later this incident and others from my prairie childhood inspired my 1940s-era novel Consider the Sunflowers. The novel is set in a fictional community like the one where I spent my early years. Published by Borealis Press, it's a story of family, Mennonites, faith, betrayal, and ultimately hope.
Consider the Sunflowers is loosely, very loosely, based on my own family. It’s available from Chapters Indigo http://tinyurl.com/ny8smwk or the publisher, Borealis Press http://tinyurl.com/1fdo9pf . Or ask for it in a bookstore or library. More information can be found at http://elmams.wix.com/sflwrs .


Elma Schemenauer CONSIDER THE SUNFLOWERS: 1940s-era novel about love, Mennonites, faith, & family. Set in Vancouver & rural Saskatchewan. Order from Chapters online http://tinyurl.com/ny8smwk or Borealis Press http://tinyurl.com/lfdo9pf  . More info at http://elmams.wix.com/sflwrs  .

fictionalizing real life: WordWorks article

The following article appeared in the Fall 2015 issue of WordWorks magazine published by the Federation of BC Writers.

 

Fictionalizing Real Life

by Elma (Martens) Schemenauer

 

Ethel Wilson in her classic novel Swamp Angel fictionalizes life at Lac Le Jeune near Kamloops. Harold Rhenisch in his book of short stories, Carnival, combines his father's character with his own to give readers a fictionalized look at life in Germany during the 1930s and after.

Why do authors sometimes fictionalize real experiences? Certainly there are places for writing about life as it actually happened. Examples include memoirs, autobiographies, and history books.

However, there are also reasons for fictionalizing:

-Fictionalizing gives us a larger framework for exploring personal and family issues.

-It externalizes our sorrows and puts them in perspective, bringing order to confused feelings and thoughts.

-It can make mundane events more exciting.

-It's a way to explore vulnerabilities and shortcomings while aspiring to something higher and more meaningful.

-Fiction can portray the human condition in a way non-fiction can't. In the words of author Gail Anderson-Dergatz, "Writing it as fiction can help you tell it even more truthfully."

How do we fictionalize real life? Rohinton Mistry, in his short story Swimming Lessons, says: "Fiction can come from facts, it can grow out of facts by compounding, transposing, augmenting, diminishing, or altering them in any way." For instance, an author might compound two cities to make a new one, and then alter the result to create a symbolically meaningful city. An author might transpose a quiet woman and talkative man to create a talkative woman and quiet man, and then augment them so they both become larger-than-life.

In my 1940s-era Mennonite novel Consider the Sunflowers, I fictionalized the lives of some of my relatives. One example is my mother. She worked in Vancouver as a young woman, but left to marry her boyfriend in rural Saskatchewan. Later she missed Vancouver. However, she knew my father would never move there, so she tried to persuade him to move closer to their nearest Saskatchewan town.

I fictionalized that situation by altering their names and personalities, putting words in their mouths, and giving them more straightforward motives than I suspect my parents had. Following is an excerpt illustrating that. Tina and her husband, Frank, are at the breakfast table, where they've been discussing the idea of moving.

Frank pulled his chair closer to hers, the lines around his eyes softening. "I know it's not easy for you," he said, putting his arm around her. "But you haven't given this place a fair chance yet. You haven't even lived here around the seasons." He glanced out the window. "I picture our baby when he gets bigger, running through the wildflowers with his pretty mama. Her hair flying in the wind." Frank gave her the crooked smile that almost always made her heart melt.

Tina shrank away from him. She wouldn't weaken, not this time. "It's a nice picture, but we'd have wind and wildflowers by town, too."

"It wouldn't be the same. Some of our land here is virgin prairie. It's never been touched by a plough."

"It's running with coyotes."

"Coyotes are okay. They help keep the rabbits down."

Tina shivered. "They scare me, howling at night. They sound like lost souls." Sometimes she felt like a lost soul herself.

Frank lifted his arm off her shoulders. "I told you, Tina, I can't live near town. I can't stand being so close to other people. They crowd me. You can't lock me in a cage. Please don't try."

For reasons that are unclear to me, my father felt like a black sheep in the Saskatchewan Mennonite community where our family lived. He preferred to socialize with our Scandinavian and British neighbours. I altered and amplified that situation, giving my character Frank a background that included concrete reasons for his feelings. Here's an excerpt illustrating that.

Monday was laundry day. Frank stood at the stove dipping hot water out of the boiler, his bass voice rumbling something from Tchaikovsky. He seemed to be in a good mood. Maybe this was the time for Tina to ask him. "Frank?"

"Yeah?"

"I've been thinking." Tina dropped a flannel sheet into the washtub and rubbed a bar of laundry soap over it. "We haven't invited the Fehrs or Brauns over since we got married. Or the Friesens or any of our other Mennonite neighbours."

"So?" Frank's expression was as blank as dough.

"We could ask some of them to come for coffee, maybe Sunday afternoon."

He dumped a pail of hot water into the washtub and swirled it around, mixing it with the cooler water. "What makes you think the Fehrs and Brauns and them want to visit with us?"

"Why wouldn't they?"

"Come on, Tina. You know as well as I do. I don't fit in with the Mennonites. They didn't even invite me to the men's breakfast."

"That's because we don't attend church regularly."

He snorted. "Don't fool yourself. They think I'm not good enough for them."

"How can you say that?" Tina scrubbed the sheet on the washboard. "They practically begged you to play your guitar at the Christmas concert."

"Sure, but you know what they were thinking: 'Gypsies are great entertainers. You've got to admit that. In Russia they played and sang like angels. But you didn't dare turn your back on them. First thing you knew, they'd pick your pocket or steal your horse.'"

Tina rolled her eyes. How could Frank keep harping on the few stories he'd heard about Russian Gypsies? There were worse characters in Russia, far worse. She dropped the sheet into the rinse water and jerked her chin at it. "You could rinse that sheet now."

Frank swirled it through the water. "I'd rather visit with Scandinavians or British people any day. They don't carry all that Russian baggage."

Fictionalizing the lives of family members can be tricky. What if they don't like what you write? Fights could ensue. Your writing could cause a rift in the family. One way to avoid negative responses is to share your journey with the people you're fictionalizing. This is especially advisable if you plan to have your story stick close to the facts. Sharing can reduce the chances of hurting and/or angering people. It may also open a new channel of communication, giving you a better understanding of your emerging story.

I showed parts of Consider the Sunflowers to some of my relatives as I was writing it. They encouraged me to continue and mentioned details of our family life that I had forgotten or never known. Their input enriched the story.

On the other hand, suppose you don't want to discuss your writing with the real people you're fictionalizing? In that case it may be wise to swing the narrative farther away from the facts.

Suppose you'd like to write about your aunt, who abandoned her grandfather on a sinking ship and swam to shore. The trouble is you're sure your aunt will object to having this story told. Could you fictionalize her as a woman who abandons her baby on the steps of a convent? Or as a woman who abandons her mentally challenged brother in Surrey and returns to India to seek her missing husband? If you changed your aunt's name, background, mannerisms, and appearance, she wouldn't be likely to recognize herself.

Despite such drastic changes, your story's main ideas and emotions could still be the same. For example, your main character might:

-Weigh different courses of action.

-Try to justify an action though it seems doubtful or wrong.

-Undertake the action and then second-guess it.

-Wonder later what happened to the abandoned person.

-Try to reunite and reconcile herself with the abandoned person.

Write to understand human nature, to explore why people do what they do. How do their actions reveal their humanity—faulty, frail, sometimes despicable but also unique, interesting, and potentially redeemable? The prospect of discovering universal truths beckons us forward in writing. In fictionalizing, we may make stories even more real, closer to the heart of the human condition.

Elma (Martens) Schemenauer is a Kamloops-based author of many published books. Her most recent is the novel Consider the Sunflowers, published in 2014 by Borealis Press. For details, please visit her website http://elmams.wix.com/sflwrs .

 

 

 

 

Elma Schemenauer CONSIDER THE SUNFLOWERS: 1940s-era novel about love, Mennonites, faith, & family. Set in Vancouver & rural Saskatchewan. Order from Chapters online http://tinyurl.com/ny8smwk or Borealis Press http://tinyurl.com/lfdo9pf  . More info at http://elmams.wix.com/sflwrs  .